After years of chasing his dreams, singer-songwriter Alex Woodard
finally had a record deal and an album to promote. He offered to write a
song for anybody who pre-ordered his self-titled release; all they had
to do was send him a letter about their story, and he would write and
record a song just for them at his kitchen table.
The promotion came and went, and as the record deal fell apart, Alex watched his best friend, a Labrador named Kona, die in his living room with her head on his lap. Her passing shined a harsh light on how far away Alex really was from his dreams, and Autumn found him trying to let go of both Kona and everything he thought would have happened by now.
And then he got the letter from Emily.
Dear Alex,
Every year around this time, I feel a little nostalgic and sad, because this is the season when I lost someone who meant a great deal to me. You see, I am one of the lucky ones, I have experienced the amazing connection of love with a soul mate. A real kindred spirit. Unfortunately, he passed away a few years ago, but I still consider myself lucky, not only because I have felt true love, but I have lost it as well and that too can be considered a gift; for I now know even more than before just how precious life and love are. Of course, I am not always able to smile through the day, sometimes I still miss him, painfully so.
Like in Autumn, not only the time of year when he was taken from me, but also the time we loved best. So, every year around this time, when the memories fill me, I write him a letter. I thought I’d share it with you, not so you’d write a song for he and I, but because I think your songs are gifts. Pieces of yourself used to help other people with their stories. So, here is a piece of myself. It is all I have to share in return for the wonderful thing you are doing with your music and your talent.
- Emily
I can feel my heart beat faster as I crawl inside Emily’s letters and feel her loss and love and gratitude, different from my own but the same at its source. As I read I realize that I’m allowed into her words because she received me somehow; she heard a song of mine somewhere, connected to it, and let me in. Someone was listening.
I show her letters to Sean Watkins, who I’ve come to know through the “family dinners” in my neighborhood. The “family” is made up of both neighbors and a diverse cast of local songwriters and musicians, held together mostly by this small stretch of San Diego coastline. The “dinners” are potluck affairs that almost always end with guitars and a mess of other instruments blanketing the floor and furniture.
I show him Emily’s letters and we decide to write a song together because her words resonate with him, too.
Sometimes I write songs for people who tell me their stories, but never with someone else like this, especially in my “leave me alone, I have to write” state of mind. I loosen the reins on that control the afternoon Sean comes over to the house and plays guitar while we hum melodies back and forth. We trade lyric ideas and I notice how he picks up on different parts of her letter, as if he sees her sentences through another lens.
Sean goes home and comes back a few days later with “For the Sender” close to done. When I listen to the demo he’s recorded in his garage during a storm the night before, I can hear the sound of the rain on the roof pounding a sense of catharsis into the song. Sometimes songs take different shapes as they evolve and this one has become about expressing pain, or joy, just what is, and how maybe, hopefully, that’s enough.
For The Sender
hello my friend
it’s me again
writing words I cannot send you
autumn’s cold
the leaves are old
and letting go but not me
cause it’s when we met and it’s when you left
And it’s when our love was the best
So every year I write you this letter
but like a prayer
it’s more for the sender
do you remember
sometimes I swear
you’re in the air
am I just a great pretender
am I along
I want to know
If you remember
it’s when we met
and it’s when you left
and it’s when our love was the best
so every year I write you this letter
but like a prayer
it’s more for the sender
do you remember
do you remember
do you remember
do you remember
The promotion came and went, and as the record deal fell apart, Alex watched his best friend, a Labrador named Kona, die in his living room with her head on his lap. Her passing shined a harsh light on how far away Alex really was from his dreams, and Autumn found him trying to let go of both Kona and everything he thought would have happened by now.
And then he got the letter from Emily.
Dear Alex,
Every year around this time, I feel a little nostalgic and sad, because this is the season when I lost someone who meant a great deal to me. You see, I am one of the lucky ones, I have experienced the amazing connection of love with a soul mate. A real kindred spirit. Unfortunately, he passed away a few years ago, but I still consider myself lucky, not only because I have felt true love, but I have lost it as well and that too can be considered a gift; for I now know even more than before just how precious life and love are. Of course, I am not always able to smile through the day, sometimes I still miss him, painfully so.
Like in Autumn, not only the time of year when he was taken from me, but also the time we loved best. So, every year around this time, when the memories fill me, I write him a letter. I thought I’d share it with you, not so you’d write a song for he and I, but because I think your songs are gifts. Pieces of yourself used to help other people with their stories. So, here is a piece of myself. It is all I have to share in return for the wonderful thing you are doing with your music and your talent.
- Emily
I can feel my heart beat faster as I crawl inside Emily’s letters and feel her loss and love and gratitude, different from my own but the same at its source. As I read I realize that I’m allowed into her words because she received me somehow; she heard a song of mine somewhere, connected to it, and let me in. Someone was listening.
I show her letters to Sean Watkins, who I’ve come to know through the “family dinners” in my neighborhood. The “family” is made up of both neighbors and a diverse cast of local songwriters and musicians, held together mostly by this small stretch of San Diego coastline. The “dinners” are potluck affairs that almost always end with guitars and a mess of other instruments blanketing the floor and furniture.
I show him Emily’s letters and we decide to write a song together because her words resonate with him, too.
Sometimes I write songs for people who tell me their stories, but never with someone else like this, especially in my “leave me alone, I have to write” state of mind. I loosen the reins on that control the afternoon Sean comes over to the house and plays guitar while we hum melodies back and forth. We trade lyric ideas and I notice how he picks up on different parts of her letter, as if he sees her sentences through another lens.
Sean goes home and comes back a few days later with “For the Sender” close to done. When I listen to the demo he’s recorded in his garage during a storm the night before, I can hear the sound of the rain on the roof pounding a sense of catharsis into the song. Sometimes songs take different shapes as they evolve and this one has become about expressing pain, or joy, just what is, and how maybe, hopefully, that’s enough.
For The Sender
hello my friend
it’s me again
writing words I cannot send you
autumn’s cold
the leaves are old
and letting go but not me
cause it’s when we met and it’s when you left
And it’s when our love was the best
So every year I write you this letter
but like a prayer
it’s more for the sender
do you remember
sometimes I swear
you’re in the air
am I just a great pretender
am I along
I want to know
If you remember
it’s when we met
and it’s when you left
and it’s when our love was the best
so every year I write you this letter
but like a prayer
it’s more for the sender
do you remember
do you remember
do you remember
do you remember
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